Nokas
Ráno 5. dubna 2004 se ve Stavangeru odehrála největší bankovní loupež v historii Norska. Loupež, jež je hlavním tématem filmu, je vykreslena z perspektivy policie, lupičů, lidí pracujících v NOKASU a obyčejných kolemjdoucích. Jedná se o důvěryhodnou a reálnou, nicméně fiktivní rekonstrukci zločinu. Film sleduje vývoj přepadení od časného rána až po fatální výstřel, který usmrtil policejního důstojníka Klunglanda. Věrohodně zachycuje všední detaily – rutiny a každodenní činnosti na policejní stanici a sčítací centrále, kolemjdoucí na náměstí před dějištěm loupeže, kteří se slušně ptají ozbrojených lupičů, zda mohou projít, i samotné pachatele.
In the morning of April 5, 2004, the greatest bank robbery in Norwegian history was carried out in Stavanger. The robbery itself is the main character of the story, and it is illuminated from several angles in the course of the film, from the perspective of the police, the robbers, the central cash service personnel, and ordinary people
Nokas is the story of this robbery, which took place at the central cash service in Stavanger. The film traces the development of the robbery from early morning on until the fatal shot that took senior police officer Klungland's life. The story is credibly narrated through details in an everyday manner. Routines and daily activities at the police station and the cash service centre, the unaffected civilians at the Cathedral Square who politely ask the heavily armed robbers if they may pass with their pram, and the robbers who restlessly get dressed, take a leak, kid around, and wait for the great event. And when the robbery is carried out, it's totally unreal for everyone. Even if it's actually taking place. The robbery itself is the main character of the story, and it is illuminated from several angles in the course of the film, from the perspective of the police, the robbers, the central cash service personnel, and ordinary people. It's a credible and realistic, but fictitious reconstruction, the way it could have happened. The story is poetically and filmatically depicted, with sober use of various genre techniques.
